The Origins of Studio E, part 2

…and then…

NOT ALL IGNORANCE IS BLISS, cont.

poisonivy

This being high summer, it was hot, and other than my gloves and shoes, I wore only a tank top and shorts.  I worked for several hours, yanking down the smaller vines, using the chainsaw or machete on the ones the size of my wrist, piling everything up behind me for later disposal in the woods.  Some of the vines were sticky or sappy.  There were smears in my hair and across my arms and legs.  There was sawdust in my tank top and socks.  When the shed at last emerged and I felt satisfied with my day’s work, I went to “set a spell” with my elderly neighbor Ms. Dora.  Ms. Dora had watched my progress with more than her usual bright-eyed interest.  She seemed quite taken with my ambition.  She was impressed by my vigorous and fearless attack on “the poison.”  I left to take my shower, not quite sure of her meaning, but more than a little pleased with myself.

In my own defense, let me say that I am from New England.  In Massachusetts, poison ivy is a small ground plant.  It is not something that grows to the height and diameter of a tree.  I was unaware that it could.  Even had I known, I wasn’t allergic–I thought–that was my brother.  And so, maybe it was karma (so many years of making fun of my brother), or perhaps it was my stubborn Yankee nature.  Either way, not many days had passed before I considered buying stock in the company that makes calamine lotion.  Not many more hours had passed before I realized I was beyond its power to soothe.  I wouldn’t wish such a case on anyone, not even my brother.  The sawdust and sap had reached every inch of skin on my body, even under my hair.  I had poison ivy between my toes.  My fingers looked like strange new gloves.

A desperate call to my doctor along with a description of how I felt and looked—there were more attractive specimens in leper colonies–resulted in the appropriate prescriptions.  For several days I surfaced only long enough to take another dose of the steroids and extra-strength anti-histamines that would knock me back out and keep me from tearing off my own skin.  It was several weeks before I was seen in public.  Ms. Dora, usually hawk-eyed and garrulous about my activities, had the kindness never to mention my lack of precaution.


Five months after the bout with the poison that nearly hospitalized me, I still carried scars.  I was very aware that poison ivy of the Mason-Dixon variety could masquerade as a sort of virulent climbing tree, engulfing entire buildings and swallowing fence lines whole.  I, however, was not to be bested by a plant.  Once recovered, my mettle having been tested, I sallied forth to engage the enemy, determined to reclaim my lands.  I hacked, I sliced, I hewed in twain—every inch of skin covered, of course—I could have safely walked the streets of Saudi Arabia without giving offense.  I sprayed the most vicious and corrosive herbicides legally obtainable, and indeed, I began to make some progress, at least within fifteen yards of the house.  Thoughts of the rest of the acreage, also covered with my newfound nemesis, began to unnerve me.

–Goats, suggested my father, they eat poison ivy.  They eat everything.

Hell no, I thought.

Not so many years before I had been a Peace Corps volunteer on the edge of the Sahara Desert.  The Sahara Desert is growing.  One of the reasons the Sahara desert is growing?  Goats.  Goats, I felt, should be eradicated as a species.  Well…maybe we could leave a few here and there, they are delicious…but NOT in my backyard!

–But wait, said Dad, what about Angora goats?

–Who? I said.

Angora goats, my father informed me, were where mohair came from.  He knew that I had become a handspinner a few years earlier.  Mohair is a lovely fiber to work with.  It produces a soft, lustrous yarn with a beautiful drape, and it takes dye well.  At the time I was buying my fleece.  With Angora goats I could keep myself well supplied with material and take my war to the enemy’s camp.  I’d planned on livestock anyway, why not goats?  The idea began to grow on me.

–What if I buy them for you, asked Dad.

Sold to the man with the Massachusetts accent he will never admit to having.


A year later the garden had indeed expanded and preserves had been made.  The shed remained clear and neat fencerows were up.  Behind them are the tossing heads, pricking ears, and twitching tails, only, these heads have horns, these ears are floppy, and these tails stand straight up.  Goats eat poison ivy.

Meet the QC of Studio E

Ms. Mimsy disapproves

We’d like to take a few moments to introduce our Quality Control Officer, Ms. Mimsy. Each and every product created by Studio E must meet her exacting standards to earn the Studio E label.

Ms. Mimsy came to us two years ago after a brief stint on the mean streets of rural Pennsylvania. Clearly, she was a natural talent and supremely over-qualified, but she agreed to work with us on a probationary basis. Once she realized how desperately we needed her expertise, she came on board in a permanent capacity.

Ms. Mimsy on the job

As you can see, any substandard work is swiftly removed from the production line (sorry Lynn, guess I’ll be doing those handles over again) and workers are gently but firmly reprimanded.

Rest easy, Studio E clients–quality is assured!

The Origins of Studio E

As I wandered through the Duchess County Fairgrounds on a perfect fall day, I couldn’t help but catch a whiff of nostalgia–all the adorable little lambs and goat kids reminded me of my first adventures in livestock. The piles of fleece reminded me of my own–rather startlingly vast–piles of fleece at home. It has all become…normal.  But, since I have a day job that has absolutely no connection with any of this, people often ask me how I got here. Here is part of the story…

NOT ALL IGNORANCE IS BLISS

give a goat a cookieThat first summer mowing the lawn had not yet become a chore.  This, after all, was my very own lawn.  I wanted to know every inch of it.  My two city-bred cats, now middle aged, acted like kittens again, pouncing on uppity blades of grass and disciplining the back stairs carpeting with an iron paw.

That summer I looked across my overgrown pastures and pictured neat fencerows behind which alert horses would toss their heads, prick their ears and twitch their tails.  I saw the expansion of the pathetic garden space into one that would provide a full year’s bounty.  I saw fruit trees from which I would preserve winter treats, and a windmill for self-sufficient power.

I could stand on the back porch of my turn of the century farmhouse and gaze up the long hill at two sizeable, if untended, pastures, and another three acres of woods.  Vestiges of the cattle farm were still visible in the old, rusted fence lines that meandered, seemingly at random, through the woods, and here and there were the remains of old outbuildings and disintegrating gates.

One outbuilding, just up the slope from the house, had survived the ravages of time and neglect, but judging from the breadth and vigor of the vines that nearly covered it, would not survive much longer without care.  It was a tractor shed with attached corn-crib, open at both ends, or it should have been.  It was not as old as the house, but perhaps not much younger.  Its steel frame was rusting through, roof planks were rotting, and the once red paint was tired and mostly flaking away.

Well, I thought, if I’m going to have animals, I’ll need a place to put them, and I might as well start with what I’ve got.  I decided to clear the shed.

Stay tuned for part two…

Our Latest

moody3What a great fall day! Maora (my Australian shepherd) and I are about to head out for a hike, but first we wanted to share the latest Studio E creation. It’s an Ultimate Tote, and what a great color choice! Emerald green and silver were oddly hard to find this season, but we are pleased with the result. This customer will have no trouble organizing all those student papers and family Christmas lists in style! –What do you think?

You can find more photos in the Textile Art gallery

Look What I Found!

wheel1wheel2
Several days ago I got a message from a friend that the Norman Woods bridge has closed for emergency repairs. Wha?! This was an unpleasant wrinkle in my day. The other two ways to cross the Susquehanna river both involved considerable detours. Grumble, grumble. Well, couldn’t be helped, right? I had to go cloth shopping for a new commission and that was that, off I went. It was a good day for a drive and the countryside is beautiful.

As I passed over the Conowingo dam and began my trek to Bird in Hand I passed by Joy’s Antiques in Quarryville and noticed an old spinning wheel in the window. “Gotta check that out on the way back,” I thought. And I did, but Joy’s is one of those special places. The sign in the window says “Open by chance or appointment”, and chance was not on my side that day.

Today I got another chance with chance and this time, she was with me. If you ever get a chance yourself, visit Joy’s place. I could have spent three days in the first aisle alone. Manual 35mm cameras, tiny cork stoppered vials with pigment for china painting, marble gear shift handles, chandelier prisms of every possible shape, size, and color, brass andirons, bone-handled penknives–just in the first three feet! I finally made my way to the spinning wheel and found that, though it would be great as a decorative piece, it wouldn’t be much good functionally. I kept looking around, smiling like idiot as pieces of other people’s pasts kept catching my eye. Workbenches, books, wooden chests, cast iron skillets, hand tools, records…and there it was. A lovely antique skein winder, with a  clockwork yardage counter that still works. Yup. Mine. A beautiful addition to the collection of eclectic oddities that is my decorating style, as well as a functional piece–I can’t wait to start winding up some yarn!

Check back soon for some video of this gorgeous piece in action.

 

 

We’re Famous!

photo (10)Well, that may be a slight exaggeration. Today, friend and fellow artist, Jen, from Wild Heart Studio, came out to do a photo shoot with my boys. Captain Jack (alpaca) and Pavaroti (Angora goat) were both mugging for the camera. Norman (Shetland sheep) went for the sophisticated pose, as did his buddy in brown, Delli (alpaca). Shuggah (Shetland sheep) and Orion (alpaca) were really just in it for the snacks. Look for the results on our Boys (and girls) of Studio E page soon!